The Alexandrov ensemble is the proof, that an artistic production can survive the most terrible emergencies and idioms of the history.

The exhibition presents images from Hungarian history in special groups. The goal of the exhibition based on historic paintings and portraits is to line up the most excellent works mirrored by lines from the Anthem and the Appeal. 

The period of Pictorialism represents a milestone in the history of photography. In the discourse on the artistic value of photography the advocates of Pictorialism sought to achieve the autonomy of photography through imitating painting styles, with their artistic paragons being the impressionists.

Three perspectives underlie this exhibition of the latest work by Société Réaliste, articulated around two pivotal pieces: The Fountainhead (2010) and Culte de l’Humanitée (Cult of She-manity, 2011).

The last exhibition of the oeuvre was held in 1973 in the Hungarian National Gallery. This new display selects from the holdings of museums, as well as foreign and Hungarian private collections, and promises a rediscovery of one of the finest Hungarian painters.