This time the series, which introduces the lifeworks of the most significant Hungarian artists, tries to re-interpret Károly Ferenczy's painting and discuss it along new artistic lines.

The exhibition presents images from Hungarian history in special groups. The goal of the exhibition based on historic paintings and portraits is to line up the most excellent works mirrored by lines from the Anthem and the Appeal. 

This exhibition would like to present the humans for the humans, to disprove numerous myths, to accent several important notes.

The period of Pictorialism represents a milestone in the history of photography. In the discourse on the artistic value of photography the advocates of Pictorialism sought to achieve the autonomy of photography through imitating painting styles, with their artistic paragons being the impressionists.

Three perspectives underlie this exhibition of the latest work by Société Réaliste, articulated around two pivotal pieces: The Fountainhead (2010) and Culte de l’Humanitée (Cult of She-manity, 2011).

The last exhibition of the oeuvre was held in 1973 in the Hungarian National Gallery. This new display selects from the holdings of museums, as well as foreign and Hungarian private collections, and promises a rediscovery of one of the finest Hungarian painters.